Literature nerds and history dorks have superheroes, too: Edgar Allan Poe, William Shakespeare, Mark Twain, Anne Rice, Lucy Maud Montgomery, Laura Ingalls Wilder, Ken Burns, The Brontë Sisters, Thomas Jefferson, David McCullough, Miss Savannah Squirrel (of course!) and a whole league of historians and novelists. The standout heroine for the geek girly-girl strain of this genre? Miss Jane Austen, indeed!

As one of this strain, not to mention a long-time member in good standing of the comic genre, I can affirmatively state Miss Austen is our Wonder Woman, Superman, Batman and Scully all wrapped beautifully under a tidy, feathered, grosgrain-trimmed, Regency bonnet. (Yes, Scully is not only a comic book heroine but also has her own action figure; I own both.) Wherein this modern age, sometimes, some feel like a fish out of water, Miss Austen gives us everything we need to cope: literature, vocabulary, historical detail, rigid manners, meticulous décor and blissfully asyndetic conversation. Austen is the It Girl of Britain's Regency era and, where softer, quieter geeks are concerned, she and her characters are models of grace, gentility and marmoreal skin in what is a surely a more tarnished, gauche, crude and frumpy world. Jane's superpower? A soft voice and an extensive vocabulary. One must lean in close to hear her pithy, social banter. You must lean into her; therein lies the power. Where there is power, there is also the threat of downfall. Her silver bullets and Kryptonite? 140 characters and scatalogical humour.

If Austen and her characters (Elizabeth Bennet, Emma Woodhouse, Catherine Morland, Mr. Darcy) form a high society of superheroes, Snooki and her double-digit IQ, vulgar ilk are their nemeses. With the whip of a bonnet sash, a quick flick of an embroidered, Irish handbag and the lightning-fast scribe of a handwritten thank you note, Miss Jane and her Society could rid the culture of Jersey June bugs, Real Housewives, Kardashians and Hooters. Taste always trumps tacky.

If being a bit of a prude is not quite a punishable crime today, it is unquestionably dorky and out of vogue. Jane Austen assuages the modern prude with emergency rations of taste, etiquette and elegance when necessary. She gives us pale, graceful necks sans tan lines, delicate drop earrings, amusing chapeaux, bone china and witty repartee. Jane gives us Gwyneth Paltrow, Kate Winslet and Keira Knightley sipping English breakfast tea and shading their pearlescent bosoms from the harsh, Yorkshire sun with the prettiest of Battenberg lace parasols. It is like The Real Housewives of Atlanta and Honey Boo Boo never slithered under the garage door and into our house.

Jane leaves her admirers gleefully free of red Solo cups, texting, Twitter, fast food, zombies (with the exception of Pride and Prejudice and Zombies by Seth Grahame-Smith), Facebook, reality TV, Vegas, cell phones, Pandora, 24-hour news, TMZ, gaming, CGI, toe rings, Pirates of the Caribbean V, sailor language, Breaking Bad and stupidly oversized iPads held aloft to Tweet pictures taken at the seashore. To be sure, I enjoy some of the above, minus Facebook, zombies and fast food. Whilst I do have a strong prudish streak, I am not a true prude. In fact, I may be the only one to defend Miley Cyrus' plushie sex twerking at the VMAs and, if you've read my latest novel, The Darlings of Orange County, you know full well I have a twerky side. Still, like spiced rum, Nutter Butters and plushie twerking, everything has its time, place and limits. They do not compose healthy, daily sustenance. Where there is overload, there is overkill and often not enough mouthwash in the world. Is not Miss Austen a lovely diversion, an occasional antiseptic, if you will?

Jane's world can be a balm, but it can also be a gilded trap: Austenland. Thus, the case for Jane Hayes, a thirty-something Austen addict played convincingly by freshly-scrubbed, natural beauty Keri Russell (Felicity, Running Wilde, Wonder Woman). Austenland is a scrumptious, directorial debut for Jerusha Hess (Napoleon Dynamite) and a brilliantly cheery romantic-comedy based on the novel of the same name by authoress Shannon Hale (Rapunzel's Revenge, Princess Academy).

If audience engagement is any marker, Austenland is running for the roses. Like New Orleans, Disneyland or the Nordstrom Anniversary Sale, if you are not having a great time, you might be a zombie. Replete with, yes, mostly older women en seul, most everyone guffawed, tittered, giggled and ahhhed throughout all posh ninety-seven minutes. The few men I did see had the relaxed look that comes with watching a non-taxing film in comfy, recliner theater seats with their feet up and their Birkenstocks left on the floor. (Decidedly very non-Austen.) To be sure, the men I did see were also accompanied by their ladies. My own Mr. Darcy knew we had to see Austenland after viewing the trailer at a recent showing of Blue Jasmine. "Well, we have to!" he insisted with a chuckle. "That is so you!"

The casting is polished to perfection: not a bruised apple in the barrel. Jennifer Coolidge (Best in Show, Legally Blonde, 2 Broke Girls) steals the show. Her tacky-but-sweet American with cash is sheer precision. An oversized Barbie in Regency hot-pink, her character of Miss Elizabeth Charming is an absolute hoot. 'Er 'orrible, overdone, Eliza Doolittle accent is as amusing as her hats (which I actually covet) and her enthusiasm for the total-immersion English holiday is contagious, making me very pleased with myself that I wore a Regency-inspired, empire-waist, Japanese mini-dress and pewter drop earrings for the occasion.

In Austenland, run with the icy business head of Mrs. Wattlesbrook, played deftly by Jane Seymour, the men serve as either eye candy or hired soul mates. Ironically, it takes a dose of holiday fiction for Miss Erstwhile to realize that her blanket assessment, "apparently the only good men are fictional", is wrong ... or is it? For it is in Austenland where Jane finds her Mr. Darcy ... or is it? Maybe it is only once she is free of the Austen spell ... or does the Austen spell indeed prove the very magic she needs? A torrential English rain, a soaked, lovely damsel-in-distress, an impossibly handsome Mr. Henry Nobley (played by the utterly smoldering JJ Feild, known to some as the tragically-fated, beautiful gentleman-officer, Major John André of AMC's TURN: Washington's Spies) on a grey horse and a linen dress ripped by said-Mr. Nobley, exposing a bit of fine, Regency leg, certainly never hurts the start of a romance.

Many will roll their eyes. "Sounds more superficial than superhero. Where's the superheroine in all this twaddle? What is so powerful about being prudish, posh and persnickety?" The power lies not in the aesthetics of Austenland or any other pretty mis-en-scène; the power lies in the cheerful confidence it takes bring bits of this old-fashioned life, including the quickly disappearing art of social conversation, to our modern one. The power lies in being true to one's inclinations, no matter how unpopular. Take a look around, desperately casual, blasé and mouthy is all the rage; quiet, modest and polished is not. Being a geek girl, I am told ad nauseam, means not taking guff from anyone. As far as I can see, ass-kicking can come via Knives Chao, Power Girl and Lara Croft as easily as it can via Elizabeth Bennet, Laura Ingalls and Anne Shirley.

Power can carry a parasol through a gauntlet of terrifying, sniggering, beach teens; power can use far too many words to share a simple link; power can spend years writing about a colonial squirrel, knowing most will only laugh about it while a mere handful will read the tales; and, power can take an hour to sip her tequila shot like it is a Royal Doulton cup of Darjeeling, despite friendly taunts and peer pressure to chug. Some of us do not chug, ever.

Being true to oneself is today's real superpower. If only I had a pearl drop earring for every time someone asked me with a poorly hidden smirk, "Why are you so dressed up?", "You're not seriously wearing that?" or "I can't deal with your emails. Too many big words.", well, I would have even more pearl drop earrings than I already do. Geeks come in all shapes and sizes. If your shade of pale is lavender-hued, you use a soft voice, too many big words and carry an analog copy of Pride and Prejudice, own it.

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In the 237 summers which have come and gone since July 4th, 1776, the date has increasingly become a juncture for white sales and auto dealer blowouts. In fact, lost amidst the mall madness and car lot carnivals is a simultaneously fascinating and pedantic period of committee meetings, assignations, rewrites, copies, messengers, vote-taking and gallons of coffee, ale and wine. As I currently scribe the fourth novel in my six-part, historical-fiction series of books, Savannah of Williamsburg, Independence Day takes on a more front-and-center appearance than usual as research takes me through the 1750s, well into the meaty burgeoning of colonial revolution.

Savannah of Williamsburg devotees have been anxiously awaiting Book IV in my 18thC. historical-fiction series. Well, pour some tea and put up your feet, folks ... be prepared to wait a little longer. Happily, my non-Savannah writing affords me a bevy of opportunity: as of late, covering various comic book conventions, reviewing the odd TV series, interviewing other writers and some producers and actors, to boot. As I am inextricably bonded to geek culture, I heartily enjoy writing in this genre. Although, because it is raw-ther niche, the more I write, the more call I get to do so. It's a nerdy, vicious cycle, my pretties. Unfamiliar with some of my geek oeuvres? Find them at GoodToBeAGeek.com, under the pseudonym Miss Hannah Hart, ghostdame of the Hotel del Coronado, and syndicated at RocketLlama.com and, soon, Nerdspan.com!

As of late, the adventure-lit of Edgar Rice Burroughs has captured my interest with a pleasant focus. The travel narratives of 19thC. adventurers have forever suited me well: Mark Twain, Richard Henry Dana, Charles Darwin, Henry James and Thomas Jefferson with his 18thC. accounts of Italian and French sojourns. To that end, contemporary travel essayists fill a healthy portion of our nearly 2,000 volume library: Bill Bryson, Peter Mayle, Hunter S. Thompson. Perhaps these travel writers and novelists have fueled my Wanderlust; perhaps I am drawn to them because of said-lust.

I have certainly been intrigued by adventure-lit since I first flipped through a fave and well-dogeared volume of Mom's 1940s  I Married Adventure by Martin and Osa Johnson. Tales of a 1930s power couple, he a photographer and contemporary of Jack London (another childhood fave of mine), she the devoted and steel-spined wife and protective riflewoman, they travelled South America and Africa well before the likes of Margaret Mead, Diane Fossey and Jane Goodall: all ladies whose works were also regular reading material about the house. (Mom was an anthropology major when I was wee and I suppose the lure of travel, questions of man's origins and the eternal quest for social knowledge set in early. Her degree was largely focused on Southeast Asian Studies; but I always thought it was Southy Station Studies, as in people who rode trains in the South. Silly girl.) Natch, I could go on here ad nauseum about all this twaddle, but I must save zee leetle grey zells' work for my current endeavour ... which brings me to the animal-loving Brit in the loin cloth.

Motivated by this year's themes for San Diego Comic-Con -for which I am anxiously awaiting press passes for the purposes of reporting from the convention floor for GoodtobeaGeek.com, as my alter ego/pseudonym Miss Hannah Hart, ghostdame- I have dipped my feathered quill and now sit pensively, pondering my submission to the official Souvenir Book, my inky nib aloft and hesitating just inches above my parchment. My theme of choice? The 100th anniversary of Edgar Rice Burroughs' Tarzan of the Apes.

I utilize this casual canvas, similar to my previous post wherein I gathered some Savannah of Williamsburg thoughts -how to formulate my fourth book in this series- as a sounding board to crystallize some free-radical ideas in my noodle. It seems to be working; I feel the gears moving, like one of Dr. Lucia Devereaux's steampunk contraptions sputtering to life. (If you read Hannah, you'll know of Dr. Lucy.) Some of you may know I was published in the 2010 Comic-Con Book: lead story even for the 60th Anniversary of Peanuts segment! My task at hand this time is considerable. These Tarzan geeks are tough competition.

Now, being the weird combination of she whom reveres original fairy tales -Grimm (Little Red Riding Hood, Hansel und Gretel), de la Fontaine (The Grasshopper and the Ant, The Tortoise and the Hare), de Ségur (Blondine), etc.- yet also adores the Disney reiterations thereof, my Viking and I ventured to Disneyland to get my noggin revving and skittered amidst the branches of Tarzan's Treehouse in Adventureland. In fact, the attraction used to be the Swiss Family Robinson Treehouse and far superior ... to the Tarzan Treehouse, not superior to the Robert Louis Stevenson book. Ha! It was a subtle homage of vintage suitcases, silver hairbrushes and antique china to the durable and genteel, accidental survivalists from the mind of the man from Edinburgh. Happily, some of the props have remained in place.

Once again, merci pour écouter, thanks for listening; I think I have some ideas brewing. I imagine, alongside reading more of Mr. Edgar Rice Burroughs, a few more trips through the treehouse may very well be in order.

Update to Post: I did indeed come up with an article for Comic-Con 2012 and it was published in the annual Souivernir Book. Read it here!

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