JennyPop.com - Jennifer Devore
Jennifer Devore

Jennifer Devore

Gwen Stefani’s You Make It Feel Like Christmas is a modern take on the traditional Christmas specials that we all grew up with and love. Featuring musical performances and fun, holiday sketches, this one-hour primetime special captures Stefani’s infectious spirit and iconic style. It takes her accessible joie de vivre and the love in her heart and shares it with audiences around the country.  Stefani performs several songs from her holiday album, “You Make It Feel Like Christmas,” as well as several festive favorites, including “Jingle Bells” and “Santa Baby.” 

Yummy Gwen! YOU MAKE IT FEEL LIKE CHRISTMAS -- Pictured: Gwen Stefani - Image used with permission by NCUni Media Village, photo by: Jamie Nelson/NBC

 
Special guest appearances include Blake Shelton, the six-time winning coach on NBC’s “The Voice” and a multi-award-winning country music superstar. Shelton and Stefani perform the title track from Stefani’s album, “You Make It Feel Like Christmas,” which the two co-wrote along with Justin Tranter and the late Busbee. Additional guest appearances include Chelsea Handler, Ken Jeong, Seth MacFarlane and NE-YO, who join Stefani for the holiday festivities. You Make It Feel Like Christmas is a journey through everything that makes the holiday season so special to Stefani and the rest of the world.  
 
“You Make It Feel Like Christmas” airs Thursday, December 19th, 2019 on NBC, 10-11 EST, and is a Done & Dusted Production in association with Interscope Records. Irving Azoff, Steve Berman, Eddie Delbridge, David Jammy, John Janick, Tina Kennedy and Katy Mullan serve as executive producers.
 
Merry Christmas, kittens! YOU make it fee like Christmas!

 

Can I offer you tickets to a live, Christmas special in the tradition of Andy Williams?

- Liz Lemon, 30Rock S3e6

 

 Tournament of Roses float by Dole: Spirit of Hawaii. Pasadena, Caifornia, 2017. Photo: Prayitno/Flickrloat.

Long before Instagram bred the invasive FOMO strain, many a home-bound, snowbound Victorian envisioned warmer, winter climes, mostly by way of personal memories (if they had been fortunate enough to travel), letters from friends on sunny holidays (those actually fortunate enough to travel), or by literature-fueled imagination, reading tomes like Treasure Island or Winged Life in the Tropics by the sooty fireside. The idea of bare legs and sandy toes was never further away than in Victorian Boston, Brooklyn or Bar Harbor. Enter ... Professor Charles Frederick Holder with a vicarious cure for the truest, icy-bluest, winter doldrums.

On a, presumably, clear and sunny, winter's day, far away from the sleet and soot of 1890 New England, the Valley Hunt Club of Pasadena, California had a brilliant, if not somewhat braggadocious, idea: to share their geographic good fortune with all those snowbound schlubs back East. "In New York," Prof. Holder, leader of Valley Hunt Club observed, people are buried in sonw ... Here our flowers are blooming and our oranges are about to bear. Let's hold a festival to tell the world about our paradise." It's a little like tagging a friend recovering from an appendectomy, with selfies of you in Paris. It might be meant to brighten someone's day; yet, it could be seen as insensitive. Either way, it was certainly meant as a generous gesture at the time and the Tournament of Roses parade was born.

Of course, from 1890 until the 1920s, the only way to truly experience the parade in all its floral and scent-laden goodness, was to travel to California. If that wasn't possible, one waited weeks for newspapers to print images taken by their reporters. Even by 1925, when wire photos were the next best thing to being there (similar to a fax, with light photons sent via telegraph or radio current), one still waited a week for transmission, and even then, the glorious, blue skies and vibrant flora of a SoCal winter were lost to the muddy graininess of black-and-white images. Horse-drawn carriages, motor cars and the earliest of floats were laden with local flowers, foliage, fruits and the bubbly festivity that can only be bred in California. Happy cows and people come from California. Witness.

An early iteration of The Rose Parade, Pasadena, California c. 1910

Thank goodness for continued technology. On New Year’s Day, 1940, television first aired via an experimental television station based in Los Angeles: W6XAO. In 1947, another new station, licensed as W6XYZ/KTLA (local channel 5) covered the Rose Parade via television, for the first time ever. One year later, on January 1st, 1948, the old, experimental station, W6XAO, returned and was eventually licensed as KNXT/KCBS. By 1948, two more Los Angeles stations alighted: KFI-TV, eventually licensed as KHJ-TV/KCAL-TV (local channel 9): and KLAC-TV, eventually licensed as KCOP (local channel 13). Both new stations joined parade coverage on New Year’s Day, 1949. Getting in just under the wire, a third station popped up on-air: KTTV (local channel 11 and home turf to TMZ). The 1949 Tournament of Roses Parade was KTTV's very first on-air program. In 1950, one more station-tent was added to the parade-coverage: KNBH, later licensed as KRCA/KNBC. In 1951, KECA-TV, later KABC-TV, added the Rose Parade to their New Year's line-up.

Also, sometime in the 1960s, football was added to the Rose Parade festivities, I guess. Whatever.

If you grew up watching the Rose Parade on KTLA, chances are good your childhood memories of any given January 1st include hosts Stephanie Edwards and Bob Eubanks. The Bob and Stephanie show was synonymous with New Year's Day, hosting from 1982-2016. Since their retirement, and for the noted future due to freshly inked deals this December 2019, Leeza Gibbons and Mark Steines have proved perky, affable replacements. If you're watching the 2020 coverage on NBC, your hosts will be the ever-ebullient and optimistic Hoda Kotb and Al Roker.

Tournament of Roses parade, dragon float. Photo: IK's World Trip/Flickr

Accuweather predicts January 1, 2020 in Pasadena, California to be sunny, clear and sixty-two degrees. To that end, Prof. Charles F. Holder was correct. Our flowers are blooming and our oranges are about to bear, whilst a lot of the country can't get out of their driveways. Wherever you are, in the U.S., or around the world, whether you love a blue sky and turquoise sea, or prefer a rainy and grey, proper winter landscape, you can't mistake the televised views of Pasadena, Colorado Blvd. and The Norton Simon Museum sitting stately on the sidelines. The parade does shamelessly boast all our beauteous, blooming, Technicolor, SoCal flowers and fruits of winter, not to mention all the happy, peppy people of The Tournament of Roses. Even for those, for whom the Rose Parade is a bit old-hat, boring and played even, jaded or not, it makes a person happy. It warms your soul, wherever and however you watch it; it infuses your spirit with a brisk, bright start to an optimistic New Year, eEven if only by watching Tilman, the snowboarding/skateboarding bulldog.

Happy New Year's, kittens! May your 2020 be brilliant, lucrative and plentiful with love and light!

TOURNAMENT OF ROSES PARADE -- "The 126th Tournament of Roses Parade" -- Pictured: (l-r) Hoda Kotb, Al Roker -- (Photo by: Vivian Zink/NBC)

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Thursday, 03 December 2020 18:09

A Geek Girl's Guide to the Best Holiday Media

"Hey, whose leg do you gotta gagoosh to get an Amaretto Disaronno around here?"

                                                -Vinnie, Family Guy, "Christmas Guy"

Tradition wraps itself around The Holidays like a thick, Irish cable-knit sweater: shopping, socializing, gifting, baking, travelling and visiting with family - those fams carefully curated, as well as those into which we are born. Some fams are just wackadoo and amusing enough to engage you into horridly uncomfortable, severely awkward card games. (Note: Cards Against Humanity NOT rec for play with children, nieces, nephews, parents or grandarents. Equal opp embarrassment. Trust Moi.) Some fams are just conservative and deathly boring enough to engage catatonia. Either way, if you are a fellow Earthling, your Holiday traditions are, likely, equally eagerly and dreadfully anticipated. All are carefully navigated. We at JennyPop understand, and empathize with, both extremes of The Holidays pendulum. Ergo, similar to her Thanksgiving Episode Recs, JennyPop has curated a of fave holiday viewing, just for you: season and episodes numbers included (i.e. S1e1) for ease of searching.

Forget ye not FOX holiday animation! Even when some episodes aren't quite en point - debates run year-round throughout a community of online Comic Book Guys - Family Guy, Bob's Burgers and The Simpsons (Simpsons now only avail on Disney+ , Amazon or live network) holiday fare give some of us the warm fuzzies in an already cozy time of year. As I penned for my Thanksgiving TV list, holiday programming is a tasty, gluttonous treat for a viewership family comprised of non-adulting adult-toddlers - totally includes Moi - and ready to celebrate a year's end in the silly and simple joy of twisted family-humour.

All, new, FOX Animation Domination Christmas fare airs Sunday, December 13, 2020:

  • The Simpsons:  "A Springfield Summer Christmas for Christmas" (S32e10) Springfield is mis-en-scène for a Hollywood production; and Principal Skinner finds love at the Holidays. 

 

  • Family Guy: "The First No L" (S19e9) Lois has had enough making Christmas sans any help and takes a break this year, leaving the rest of the fam to save the season.

 

  • Bob's Burgers: "Yachty or Nice" (S11e10) Bob is leery when his restaurant is hired to cater the Glencrest Yacht Club's annual, holiday boat parade; and, Louise sees herself as a boat owner.  

 

*Note: Because The Goldbergs serves up cheerful, Christmukkah joy each season: "Hanukkah on the Seas" (S8e7) airs Wednesday, December 2, 202020 at 8PST/EST.

Now, pour a glass of cab, pour out some spice tea, or craft a festive, adult libation and get to Holiday viewing! As with Thanksgiving TV and film recs,, JennyPop doesn't rank shows, just lists them; as not everyone might agree with a ranking. All are winners though, or they wouldn't be on the list. Season and episode designations (i.e., S1e1) are listed alongside, for easy-peasy searches. Merry Christmas, Happy Hanukkah and Joyful Viewing to all!

 

 

Fave Christmas and Hanukkah TV Episodes!

Bob's Burgers

"God Rest Ye Merry Gentle-Mannequins" (3e9)

"Christmas in the Car" (S4e8)

"Nice-Capades" (S6e5)

"Last Gingerbread House on the Left" (S7e7)

"The Bleakening: Parts I and II" (S8e6/7)

Better Off Sled (S9e10)

"Have Yourself a Maily Linda Christmas" (S10e10)

"Yachty or Nice" (S11e10)

Family Guy

"A Very Special Family Guy Freakin' Christmas" (S3e16)

"Jesus, Mary and Joseph" (S11e8)

"Christmas Guy" (S12e8)

"How the Griffin Stole Christmas" (S15e9)

"Don't Be a Dickens at Christmas" (S16e9)

"The First No L" (S19e9)

The Goldbergs

"A Christmas Story" (aka Super Hanukkah) (S3e10)

"Han Ukkah Solo" (S4e10)

"Yippee Ki Yay Melon Farmer" (S6e10)

"It's a Wonderful Life" (S7e10)

"Hanukkah on the Seas" (S8e7)

At Home with Amy Sedaris

"Holidays" (S1e7)

Stranger Things

"Holly, Jolly" (S1e3)

"A Stranger Things Christmas" (a ST x Peanuts stand-alone, animation short)

Modern Family

"Undeck the Halls"(S1e10)

"Express Christmas" (S3e10)

"The Old Man and the Tree" (S5e10)

"White Christmas" (S7e9)

"The Last Christmas" (S11e8)

The Big Bang Theory

"The Bath Item Gift Hypothesis" (S2e11)

"The Maternal Congruence" (S3e11)

"The Santa Simulation" (S6e11)

"The Cooper Extraction" (S7e11)

"The Clean Room Infiltration" (S8e11)

The King of Queens

"Noel Cowards" (S1e11)

"Net Prophets" (S2e12)

"Better Camera" (S3e11)

"Mentalo Case" (S5e11)

"Santa Claustrophobia" (S6e11)

"Silent Mite" (S7e7)

"Baker's Doesn't" (S8e11)

30Rock

"Ludachristmas"(S2e9)

"Christmas Special"(S3e6)

"Secret Santa" (S4e8)

"Christmas Attack Zone"(S5e10)

Arrested Development

"Afternoon Delight" (S2e6)

The Simpsons  (a sampling, 18 eps avail) 

"Simpsons Roasting on an Open Fire" (S1e1)

"Mr. Plow" (S4e9)

"Miracle on Evergreen Terrace" (S9e10)

"Grift of the Magi" (S11e9)

"Simpsons Christmas Stories"(S17e9)

"Holidays of Future Passed" (S23e9)

"White Christmas Blues" (S25e8)

"'Tis the 30th Season" (S30e10)

"Bobby, It's Cold Outside" (S31e10)

Seinfeld

"The Red Dot" (S3e12)

"The Race" (S6e10)

"The Strike" (aka Festivus) (S9e10)

Decorating Disney

Holiday Magic 

Northern Exposure

"Seoul Mates" (S3e10)

The O.C.

"The Best Chrismukkah Ever"(S1e13)

Scrubs

"My Own Personal Jesus" (S1e11)

King of the Hill

"The Unbearable Blindness of Laying" (S2e11)

"Pretty, Pretty Dresses" (S3e9)

"'Twas the Nut Before Christmas" (S5e8)

"Livin' onn Reds, Vitamin C and Propane" (S8e7)

The Office (U.S.)

"Christmas Party" (S2e10)

"Benihana Christmas" (S3e10)

"Moroccan Christmas" (S5e11)

"Secret Santa" (S6e13)

"Classy Christmas" (S7e11/12)

"Dwight Christmas" (S9e9)

Rugrats

"The Santa Experience" (S2e14)

"Chanukah" (S4e1)

"Babes in Toyland" (S9e3/4)

Mr. Bean

"Merry Christmas, Mr. Bean (S1e7)

 

Stand-alone Holiday Specials

A Stranger Things Christmas (ST x Peanuts mashup, aka Merry Christmas, Will Byers)

Keeping up Appearances

"A Very Merry Hyacinth"

Little House on the Prairie

"The Christmas They Never Forgot"

The Office (U.K.)

"Christmas Specials"

Wonderpets

"Save the Reindeer!"

Mr. Bean

"Merry Christmas Mr. Bean"

Any Stella Artois commercials

 

Fave Christmas and Hanukkah Films!

A Charlie Brown Christmas (duh!)

A Christmas Story

Elf

Switchmas

The Nightmare Before Christmas

Winnie the Pooh: Christmas of Giving

A Madea Christmas

Planes, Trains and Automobiles

A Family Man

Love, Actually

The Bear Who Slept Through Christmas

Mickey's Once Upon a Christmas

Santa and the Three Bears

A Muppet Christmas Carol

Black Adder's A Christmas Carol

Mickey's Christmas Carol

National Lampoon's Christmas Vacation

Emmet Otter's Jug-Band Christmas

A Garfield Christmas

Lady Gaga and The Muppets' Holiday Spectacular

 

If I neglected anything, please let me know! I'm toujours happy to amend my lists!

Merry Christmas, Joyeux Noel, Happy Chanukah, Gledelig Jul, Froehliche Weihnachten, God Jul and Mele Kalikimaka to everyone!!

 

Just when you thought Orange County's windex waves were sketchy, The Darlings of Orange County are headed into the real, shark-infested waters: Hollywood. All The Darlings, and their cohorts, are headed to H-town: Veronica, Ryan, Chet, Tucker, Pardo and Astrid. If drugs, sex, veganism, duplicity and murder-by-fashion-doll don't belong in Hollywood, where do they belong?

Author and essayist Jennifer Susannah Devore Savannah of Williamsburg, San Diego Comic-Con Souvenir Book, is currently adapting her bikini-and-martini, summer beach-read novel to a screenplay. Hold on to your Uggs, kids. You're going to get sand everywhere!

Ideal production partners/storytelling stylists?

Saturday, 13 June 2015 00:29

IDW & SDCAG: Historic, Visionary, Hoppy

Cheers, kittens! As the SoCal comic convention season is in full-swing (You remember Wednesday's Bad Night at WonderCon, don't you?), my con cohort at Twisted Pair Photography and I are getting ready for San Diego Comic-Con 2015 (SDCC); in that process, we are partaking in a wee bit o' pre-con cavorting. Fortunately for us, Yours Truly has contacts; they might be in books, they might be in comics, they might be in beer. You don't know.

So, as it pertains to our most recent pre-conning, I have a query for you. What do the Library of Congress, IDW Publishing and San Diego Comic Art Gallery have in common? A vision of posterity, crackerjack curators, an historic backyard and a brewery within walking-distance. Two of these pip organizations have set up shop in a gloriously gorgeous San Diego community and, happily for all, they're both sitting pretty next to Stone Brewing beer garden.

Comics bulwark IDW, founded in 1999 by Ted Adams and Robbie Robbins, has grown so big in its britches, those britches have been let out to accommodate an 18K+ sq. ft. workspace in the posh yet chill, waterside neighbourhood of Point Loma. Think Range Rover-meets-Roxy, Brooks Bros-meets-Billabong, Nautica-meets-No Shirt, No Shoes, No Problem. Situated serenely along the San Diego Bay and America's Cup Harbor, housed in one of the original barracks at the Naval Training Center (NTC) at Liberty Station, the cavernous, 1921 Spanish Colonial Revival edifice makes great digs for a Vans-and-RayBans kind of entity like IDW.

Ushered in by Prohibition, 1920s San Diego was two-parts business, one-part good times. In 1921, the NTC commenced construction and by 1923 began rustling to life as a hive of naval activity. Having just come out of WWI, protection along the Pacific, offensive and defensive, seemed a good idea. Initially a training base for one-sixth of the U.S. Naval fleet, the compound soon came to house military classrooms, residential quarters, tactical training fields and everything the Pacific fleet needed to prepare for come what may. Come it did. By WWII's peak years, the NTC was home to more than 33K sailors. (I can't say the wartime Betties of San Diego had a problem with that!)

Today, the NTC is a far cry from its initial intentions. By the 1990s, Liberty Station was maneuvering away from military endeavours and into real estate. Now, it functions as a center for the arts, entertainment and business: retail, churches, beauty and wellness, hotels (Marriott, Hilton), golf (Loma Golf Club), leased office space, banking (Navy Federal Credit Union, natch), fitness, dining, culture, museums and so much more. What your great-grandfather saw as a campus for national secrecy and necessary aggression, you may now see as a weekend destination for Starbucks and SDCAG, SoCal Fly Fishing Outfitters and Capoeira Brasil (Ponytail! Ponytail!) or California Ballet and Sushi Mura. Cap off your jaunty day with a pint at Stone Brewing and a run for Longboard Chips and New Zealand water at Trader Joe's, and you've got the new normal at Liberty Station. It's like Sarah Jessica Parker took great-grandfather's Naval-issue peacoat and stuck a giant, pink, silk rose on the lapel. The original bones are still there, but now it goes better with a Zara cocktail dress than a mop and bucket, you know, for dancing and swabbing decks whilst belting out Fred Astaire-style nautical chanties with your fellow sailors.

That's a nice story, but what about IDW, Hannah?, the fair reader gently prods. To continue ...

Notable as the fourth-largest comic book publisher in America (Disney Comics, The X-Files, Orphan Black, My Little Pony, etc.) IDW carries comic gold in its inimitable portfolio: twenty-five Eisner and Harvey Awards, more than eighty NYT Best-sellers, hundreds of freelance artists around the globe and, solely in 2014, more than 700 unique, analog and digital, titles. Additionally IDW dabbles in tabletop and hobby games, stickers, posters and other collectible merchandise. With all this street cred, not to mention being Liberty Station's largest tenant, you'd think they must be a bit haughty and unapproachable, like Hillary Clinton or that big German girl who works at Ruby's on the pier. Yet, no.

IDW is about as mellow and laid-back a group of folk you'll meet in publishing. If IDW was a Muppet, it would be Dr. Teeth and the Electric Mayhem. (Sam the Eagle would not approve of hot yoga being taught on-grounds.) If IDW was a time of day, it would be Happy Hour: affable, a good value and always ready to tell a tall tale. Like any good tale, there need to be visual aids; and that's how San Diego Comic Art Gallery (SDCAG) adds to the party.

Installed on the bottom floor of IDW's digs, in Barracks 3, the SDCAG opened to the public June 5th, 2015: "designed to educate and engage the local San Diego community and the region of Southern California with the sequential comic book and graphic arts". Owned-and-operated by IDW, the gallery houses an analog, research library (appt. only), artist-in-residence program (coming soon) and, for you Teenage Mutant Ninja Turtles (TMNT) aficionados, the Eastman Studio: a permanent installment of TMNT co-creator/artist Kevin Eastman's home studio and personal memorabilia collection. Throughout the year, SDCAG will install exhibits featuring a bevy of artists knee-deep in comic lore. The inaugural exhibit? Kevin Eastman and his TMNT.

With San Diego Comic-Con (SDCC) just around the corner, geographically and temporally, (San Diego Convention Center, July 9-12, 2015) IDW/SDCAG have positioned themselves smartly for a pop-culture, coming-out carousal. As the cosplayed hordes descend upon America's Finest City, they shall find that besides The Old Globe, S.D. Air and Space Museum, S.D. Museum of Art, S.D. Natural History Museum and Hooters (For a lot of you mooks it's the closest you're going to get to San Diego boob.), the S.D. Comic Art Gallery will serve many of your artistic, and geeky, needs. To serve those more primal needs in Maslow's Hierarchy, SDCAG is fortuitously located right next door to Stone Brewing World Bistro and Gardens: an 11K+ sq. ft., glass-stone-and-wood re-purpose of what used to be the NTC mess hall. Hello, sailor! Buy a girl a stout and some crispy Brussels sprouts?

On June 4, 2015, the night before their grand opening, IDW/SDCAG held a VIP event, to present the art gallery on a more intimate level to those closest to the effort. That night, along with Ménage à Trois and J. Lohr wines, an oh-so-hoppy IPA flowed generously, provided by Stone. It's just good fence-building, proffering beer to the new guy on the block.

Whether it's an Arrogant Bastard, a Double Bastard, a Crazy Ivan or a Border Psycho, a quaff of Stone is always a great mingling lubricant. So, just in time for San Diego's greatest mingling event, IDW/SDCAG and Stone Brewing Liberty Station are celebrating con-season with Hop-Con, the w00tstout Festival: "Our annual celebration of nth-degree beer geekery".

Launching Wednesday, July 8, 2015 (same night as SDCC Preview Night), if you jelly beans can swing $40-$100/person, you can drink-and-geek with Aisha Tyler, Wil Wheaton, Kevin Eastman and the upper echelon of Stone brewerdom. To boot, you can be of the first to imbibe the "2015 Stone Farking Wheaton w00tstout". Want more special beer? According to an inside source, there might be a Kevin Eastman/Kris Ketcham collaboration beer which might be called "Twisted Turtle w00tstout". (Call 619-269-2100 for more info. on advance tix and event specifics.)

But, Hannah, what about the Library of Congress?, you ask wearily and patiently. Allow me to elucidate  ...

In 1800, amidst legislation which would move our new country's capital from the progressively sophisticated Philadelphia to the swampy backwoods of Washington, America's second president John Adams (1797-1801) understood the dire need for a local, congressional reading room, research facilities and library for this new nation. Moving merrily along its way, August 1814 saw Adams' library come to a fiery end as the British set our Capitol aflame. (Good thing we're all friends now.) Upon this news, then-retired, third president Thomas Jefferson (1801-1809), and Adams' BFF, proffered his precious, voluminous, private library at Monticello as a replacement. Jefferson's collection and all that would be added to it over the years would become America's library: the Library of Congress.

Visionary like Jefferson and Adams, IDW/SDCAG understand that, even though the comic arts seem all too present and contemporary, at times even fleeting, wondering when this wild, geek, pop-culture rocket will free-fall back to Earth, history always needs a paper trail, even digital history. When tomorrow arrives, mankind always thanks those whom were ambitious enough to preserve the past. (Plus, if you've been watching Wayward Pines, you'll know that even in the year 4065, First Generation will need something to read. Why not Jem and the Holograms or Mr. Peabody & Sherman? Although, I would suggest against 30 Days of Night and Rot & Ruin. Those might be too realistic in WP.)

Adams, Jefferson, IDW and SDCAG also know America needs just the right word-nerd to curate the past and present, for the future. John James Beckley served as the first Librarian of Congress (1802-1807) under the Jefferson administration. In keeping with a national level of know-how, Harry L. Katz, former Head Curator of Prints and Photographs at the Library of Congress, will serve as the first curator of SDCAG. He now calls San Diego home. (Psst, Harry. The Starbucks at Liberty Station is a beautiful and breezy switch from the one you're probably used to at Seward Square. Still, it's hard to beat the small, window-table facing the streetlight on Penn. Ave., on a snowy D.C. morning. Enjoy our palm trees and ocean air, good sir!) Oh, breweries within walking distance of the LOC? A couple of Gordon Biersch, Capital City Brewing Co. and District Chophouse and Brewery. Yeah, D.C. is a far better walking-town than San Diego.

Kids, here's an insider's tip: San Diego is one hell of a town and you'll never grasp it in one long weekend. You can try though! Start by getting up early; you can sleep when you get home. Then, grab a quad shot over ice at Starbucks or Peet's and hit the terra-cotta tiles heading in any direction! If you're in town for Comic-Con, out for a sunny getaway from Beantown or the Big Apple, or if you're just a local doof like Moi looking for more stimuli than Big Steve's Comic Kitchen can give you, drop by the SDCAG, year-round. When you're done, treat yourself to a tantalizing brew in Stone's sunny, stony, garden bistro. It's your summer, kittens; do something fun with it.

Abyssinia on the Con floor, kittens!

 

Aside: A v special Thank You! to Denton Tipton and Rosalind Morehead at IDW, and Gary Sassaman at CCI, for a wonderful SDCAG opening event! Cheers to all!

Visit JennyPop every Con season for all of her Official SDCC Souvenir Book articles and full, Con coverage. w her fave, Con-cohort: Twisted Pair Photography shutterbug, Eslilay Evoreday.

Follow @JennyPop: Insta and Twitter for year-round geeky goodness and visit her Amazon Author Page

 

Kittens, if the chilly, San Diego rain wasn’t a prompt to play indoors this December, the siren of invention, engineering,  technology and design was enough to lure a capacity-crowd of the curious to the first San Diego Mini Maker Faire. Ringing its knell from the warm beauty of the Spanish Mission-styled Del Mar Fairgrounds, this newest stop for the San Diego geek train proved bustling, hectic and promising. Besides, it’s Del Mar, kids! Even a permanent guest at the Hotel del Coronado needs a change of scenery once in a bit and this girl needs only an eighth of a reason to pop over “Where the Surf Meets the Turf”!

Billed as The Greatest Show (and Tell) on Earth, Maker Faire at-large is a congress of imaginative folk and a place to share, and sell, ideas and wares. Known as the Maker Movement, this creative-following is gaining steam worldwide, with Faires staged from the Bay Area to New York, from Dublin to Rome, from Tokyo to Sydney. December 2K13 was San Diego’s initiation with its first ever, and hopefully annual, Mini Maker Faire. (Why Mini? Based on New York’s version, there is much room to grow.)

An all-ages gathering of tech enthusiasts, crafters, educators, tinkerers, hobbyists, engineers, science clubs, authors, artists, students, and commercial exhibitors, Maker Faire worldwide is a cerebral wonderland for anyone with an imagination and the temerity to do something with it. Like a geeky cocktail party, minus the good booze (although some form of vile, domestic, beerwater was available at John Dillinger prices), the gathering is, as Maker Faire claims, a family-friendly festival of invention, creativity and resourcefulness … part science fair, part county fair, and part something entirely new.
 
“In cosmological terms … S.D. Mini Maker Faire was what is known as a big bang event.” Photo: Jeff Kubina

Waiting in a very long, very slow, very wet line to enter San Diego’s first Faire, a talkative and cheerful USD student spoke authoritatively about the Bay Area venue, claiming it to be, with just a dash of good-natured condescension, “much bigger, way better and lots of actual symposia and lectures”. Fretting about the $12 entrance fee, wishing she had purchased the cheaper, $10 ticket online, she hoped San Diego’s effort would be worth it. Sizing up the hall’s exterior from under her fur-trimmed parka-hood, she sneered a bit and said with a twisted smile, “Kinda doubt it.”

Whilst the entry fee, plus $15 parking was relatively steep (Consider the Grand Dame of geek fests, San Diego Comic-Con, runs $12-$42/day) and the line was agonizingly slow (only two ticket windows), the cerebral and visual stimuli inside Bing Crosby Hall assuaged the lighter wallet and damp boots. Awaiting the rain- and line-weary crowds was a bevy of crafting booths, science experiments and technological demos, including a proverbial explosion in the popularity of 3-D printing: Yoda heads, TARDIS and Millennium Falcons proving the most popular products of the 3-D craze. The most inspiring, fascinating and useful of the 3-D buzz? Robohands: building appendages for those with hand anomalies, in mere hours! Don’t have $80K for a prosthetic? No worries. A set of blueprints and a 3-D printer (approx. $2K to purchase; a pittance to rent; maybe even one exists in your office) and you’ve got a hand by day’s end.

If one’s avocation, vocation or profession tends toward technology, real science, science-fiction or even steampunk, one would be pleased in the tightly-packed confines of the Faire. To boot, Comic-Con and WonderCon regulars would note some friendly faces on the periphery: San Diego Star Wars Society and San Diego R2-D2 Builders Club, to name a couple.

San Diego Star Wars Society and San Diego R2-D2 Builders Club shared a space and, as one would expect of them, brought a fan’s enthusiasm to the franchises. SDSWS is like AA, for Star Wars geeks. If they put out a calendar, Tina Fey-as-Liz Lemon-as-Princess Leia-as-hologram would be their centerfold. Meet-ups are a way for fellow San Diego Star Wars freaks to gather and geek out over any and all things SW. From movie marathons to cosplay-and-props workshops, from collecting and gaming to convention field trips and even charitable events (notably Alex’s Lemonade Stand Foundation: Fighting Childhood Cancer, One Cup at a Time), the simple goal of this SoCal space sodality is to have a good time with like-minded dorks.

If Thomas, a kindly Swiss San Diegan manning the booth, is any indication of the folk you’ll meet at SDSWS, this coterie of Chewbacca connoisseurs would indeed be a pleasant diversion from the leagues of snarky, snippy, Star-savants out there, of both Wars and Trek. Welcoming, informative and inclusive, Thomas was anathema to so many Star Wars experts blitzing about the planet, propelled by their own hot air.  Smiling and eager to chat, hopeful to bring anyone into the fold, even the wholly uninitiated, Thomas offered no snorts of derision or condescending blinks when fielding even the simplest questions from children and adults alike. Enthusiastically, and with the slightest Teutonic accent, he shared the simple mission of SDSWS: “Come and join us to talk about Star Wars and have a good time!”

If the future isn’t your gig, but futuristic is, Gears & Roebuck: Rusty Junk Emporium and The San Diego Steampunk Community (including the Adventures of Drake & McTrowell: Perils in a Postulated Past) were on-hand, in very wee numbers, it should be noted, to hawk a few antique wares, tell some tall tales and share the collective mission of steampunkers worldwide: “We fight with invention, we fight with ingenuity. Full steam ahead! All aboard!”

Generally a well-read, sartorially-intense and whimsical crew, the Victorian votaries are tinkerers extraordinaire, taking cues from the likes of  Jules Verne to Bill Gates. Steampunk inspiration reaches back to Sir Charles Wheatstone and his stereoscopic imaging (predecessor to today’s 3-D imaging) and forward to Sky Captain and the World of Tomorrow. If you’ve yet to explore this world, helpful steampunk primer by our own JennyPop. If you’re already in the know, and living in San Diego, the San Diego Steampunk Community just might have the perfect, Phileas Foggesque, space-age tool to scratch that ruddy itch.

Will the Maker Faire make it to San Diego again next year? The Maker Movement is gaining traction in metropoli everywhere.  Judging by the Mars-level heat generated in this sardine-packed venue, it seems plumb stupid to not capitalize again on the funky, inventive and creative nature of San Diego folk. However, like Michael Moore's jeans, the Bing Crosby Exhibition Hall was packed to the seams and ready to burst with the first, big breath. My recommendation, promoters? Air-conditioned pith helmets and Gigantor, Jules Verneesque floor fans as big as time machines on every aisle, and gratis, air-conditioned pith helmets with every ticket purchase. Otherwise, a grand time was had by most.

Full steam ahead and Merrie Christmas!

 

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Lorem ipsum dolor sit amet, consectetur adipisicing elit … Memorize it, kids. It could come in handy. If Lorem ipsum can work as a centuries-old, standard placeholder for text, why not for speech? Consider the awesome applications: political conversations over the holidays; awkward, totally unexpected, sexual advances by a friend; foot-tapping queries about your Internet-browsing history; traffic stops by your local boys in blue. (On second thought, don’t give coppers the Lorem Lip. They don’t seem to have much of a sense of humor these days.) In fact, the mysterious, quietly-omnipresent Lorem ipsum we all know and love has been used as a text placeholder, almost as long as there has been text … almost.

Bored with telling the same stories at every Fourth of July, Thanksgiving and Super Bowl party, ancient Chinese Buddhists living circa 650 C.E. decided it a far better idea to share their holy texts with loved ones via print: enter stage-left, the first movable type, Chinese woodblock. Using rag paper methods learned from the far reaches of the Islamic Empire (Mesopotamia 3,000 B.C.E. being the birthplace of cuneiform handwriting and, eventually, putting all that to paper), these scholarly Buddhists, notably Wong Jei in 886 C.E. who printed a scroll for his parents, believing it to bring them good luck, set about printing many a scroll filled with kindly, Buddhist tenets. These kind ideas were met with mass silencing and murder of the printers by their own government, not to mention the burning of those very nice scrolls.

Fast forward to 1450-55 C.E.. Johann Gutenberg replaced the wood and clay, blocked type (whole pages set vs. individual characters) with metal type and printed the first substantial, commercial book with individual, movable type: The Gutenberg Bible. Some sixty years after that, Martin Luther would use movable type to tell the Catholic Church a thing or two about a thing or two.

On Hallowe’en Night 1517, Luther tacked his Ninety-Five Theses on a church door in Wittenberg, Germany, arguing against the Church’s “sale of indulgences”: basically buying one’s way out of purgatory. Before the Church could say “Hail, Mary!”, scores of Luther-fans, using Gutenberg’s printing press method, helped spread The Ninety-Five Theses all over Europe, much to Catholicism’s dismay.

By the by, there are forty-six surviving copies of original Gutenberg Bibles, most of them resting peacefully in Germany. There are, however, eleven in the United States. If you know how to have fun the right way, including throwing around words like incunabula, and are fortunate enough to live near The Huntington Library, Yale, Harvard, the Library of Congress, Indiana University or any of the other American venues, I suggest you treat yourself to one of mankind’s wonders of ingenuity, before the growing masses of half-wits and jelly beans make the printed book completely obsolete.

 

Anyhoo, to the point of all this: Lorem ipsum is merely dummy text used until permanent text is put in place. Designers and printers have long realized that potential clients will be distracted by actual content when perusing a spec piece of print: pamphlets, books, theater bills, advertisements, etc. Lorem ipsum looks just enough like a natural distribution of letters and phrases to fool the brain, without taking focus off the layout. First recorded usage of Lorem ipsum is c. 1500 C.E. when an anonymous printer used it to create a type specimen book. The interesting thing is that whilst it looks like Latin, it also looks like random twaddle. It is, in fact, a combination thereof.

Lorem ipsum actually comes from two sections of Cicero's De Finibus Bonorum et Malorum, or The Extremes of Good and Evil, written in 45 C.E., in Latin. If you're just geeky enough, and I know you are, you'll scroll down to see the full, standard Lorem ipsum passage used by printers and designers. You'll then note one of Cicero's sections, from whence the passage comes. The letters marked in bold make up the now-standard, fill-in text of Lorem ipsum. It's like taking bits of text from a Simpsons comic book and creating your own language: Eat my shorts, man! becomes Atmy ort sma! Finally, if you're still interested, Cicero was translated for us, lovingly, by one H. Rackham of Cambridge, Mass. in 1914. Note his work below, as well.

Like so much political discourse, Lorem ipsum is simply a Straw Man, or an Aunt Sally, as the Brits call it: superficial, space-filler taken from original ideas and used to create the illusion of words and meaning, until something better comes along. Try the Lorem Lip next time your boss wants to know why you've logged so many hours at hamstergrrls.com or your prof asks if this is your own work.

"Well, sir. You see, lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Right? Oh, and also, atmy ort sma!"

If you say it with confidence and add proper gestures and facial expressions, it will take them a few minutes to figure out what's going on. If that doesn't work, there's always Ctrl+Z, kittens!

 

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For the truly geeky ... read on!

  • Standard Lorem Ipsum passage, used since the 1500s

Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

  • Section 1.10.32 of "de Finibus Bonorum et Malorum", written by Cicero in 45 B.C.E.

Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam, eaque ipsa quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt explicabo. Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet, consectetur, adipisci velit, sed quia non numquam eius modi tempora incidunt ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?

  • 1914 translation by H. Rackham

But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but because occasionally circumstances occur in which toil and pain can procure him some great pleasure. To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences, or one who avoids a pain that produces no resultant pleasure?