Not So Tiny Now, 'Eh, Ladies? Tiny Mulder At Large
Tiny Mulder - and our JennyPop - might draw strange looks in public, as JennyPop - and the odd cohort - position him hither and thither; yet, he doesn't mind the judgment. She doesn't mind either. TM is out there and loving it! Drinking in the atmos of pubs and bars, here and abroad, surveying the pumpkin pie and pressies at Thanksgiving dinner and on Christmas mornings, TM will be relegated to a dank, FBI basement no longer. Today, and forever, Tiny Mulder is ... at large! Go forth and find the truth, my tiny friend.
Dirty Shirleys, The X-Files and SyFy's The Magicians: SDCC 2018
Run for your lives, local mortals! 'Tis time! 'Tis time! San Diego Comic-Con (SDCC) is here, again, kittens! Whilst Summer is my least fave season (Moi, aka, authoress Jennifer Susannah Devore, needs her Autumn days and Sbux PSL!), July is a glorious month indeed! Comic-Con, the reigning monarch of all comic book/pop culture conventions takes flight July 19 - 23, 2018 at the San Diego Convention Center. Once again, Yours Truly will be there with my fave con cohort and shutterbug, Eslilay Evoreday of Twisted Pair Photography and Sea Gypsy Costume Designs. As this Summer tradition remains a constant, some aspects of the game are ever-changing. Now, the game is afoot!
Hold Me Closer, Tiny Mulder: SDCC 2018 Prep Commences
It's Springtime in San Diego, kittens and that means one thing: San Diego Comic-Con (SDCC) approacheth! July 19 - 22, 2018 will find Yours Truly awash in cosplay and cultur de pop, more so than usual. Sure, it's still three months off; yet playing the big Con takes prep. Every sweltering, sunny, San Diego Summer year my Con-cohort and I, Eslilay Evoreday, immerse ourselves in all the geeky goodness at the grandest of comic book conventions.
Poppin' Open a Brand New Year
The New Year cometh! What's on your docket? What dragons will you slay, what cats will you herd, what other animal analogies will you concoct? JennyPop is ready for a new year! New Savannah of Williamsburg (Book IV finished and soon-to-be-published!), more Euro travel - likely with Tiny Mulder in-tow - and, as always, San Diego Comic-Con! Plus, whatever else may cross JennyPop's path. Who knows? Like Lemony Snicket's Violet Baudelaire, JennyPop's tying her hair in a ponytail and getting back to work after The Holidays, no matter the task ... as long as it involves reading, writing and bonkers-fun!
Happy New Year, kittens! Be courageous, be productive, be nice!
"Well, hey. I didn't spend all those years playing Dungeons and Dragons and not learn a little something about courage."
- Faulkner, The X-Files, "Jose Chung's 'From Outer Space'" (S3e20)
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JennyPop's Amazon Author Page, to boot!
IDW & SDCAG: Historic, Visionary, Hoppy
Cheers, kittens! As the SoCal comic convention season is in full-swing (You remember Wednesday's Bad Night at WonderCon, don't you?), my con cohort at Twisted Pair Photography and I are getting ready for San Diego Comic-Con 2015 (SDCC); in that process, we are partaking in a wee bit o' pre-con cavorting. Fortunately for us, Yours Truly has contacts; they might be in books, they might be in comics, they might be in beer. You don't know.
So, as it pertains to our most recent pre-conning, I have a query for you. What do the Library of Congress, IDW Publishing and San Diego Comic Art Gallery have in common? A vision of posterity, crackerjack curators, an historic backyard and a brewery within walking-distance. Two of these pip organizations have set up shop in a gloriously gorgeous San Diego community and, happily for all, they're both sitting pretty next to Stone Brewing beer garden.
Comics bulwark IDW, founded in 1999 by Ted Adams and Robbie Robbins, has grown so big in its britches, those britches have been let out to accommodate an 18K+ sq. ft. workspace in the posh yet chill, waterside neighbourhood of Point Loma. Think Range Rover-meets-Roxy, Brooks Bros-meets-Billabong, Nautica-meets-No Shirt, No Shoes, No Problem. Situated serenely along the San Diego Bay and America's Cup Harbor, housed in one of the original barracks at the Naval Training Center (NTC) at Liberty Station, the cavernous, 1921 Spanish Colonial Revival edifice makes great digs for a Vans-and-RayBans kind of entity like IDW.
Ushered in by Prohibition, 1920s San Diego was two-parts business, one-part good times. In 1921, the NTC commenced construction and by 1923 began rustling to life as a hive of naval activity. Having just come out of WWI, protection along the Pacific, offensive and defensive, seemed a good idea. Initially a training base for one-sixth of the U.S. Naval fleet, the compound soon came to house military classrooms, residential quarters, tactical training fields and everything the Pacific fleet needed to prepare for come what may. Come it did. By WWII's peak years, the NTC was home to more than 33K sailors. (I can't say the wartime Betties of San Diego had a problem with that!)
Today, the NTC is a far cry from its initial intentions. By the 1990s, Liberty Station was maneuvering away from military endeavours and into real estate. Now, it functions as a center for the arts, entertainment and business: retail, churches, beauty and wellness, hotels (Marriott, Hilton), golf (Loma Golf Club), leased office space, banking (Navy Federal Credit Union, natch), fitness, dining, culture, museums and so much more. What your great-grandfather saw as a campus for national secrecy and necessary aggression, you may now see as a weekend destination for Starbucks and SDCAG, SoCal Fly Fishing Outfitters and Capoeira Brasil (Ponytail! Ponytail!) or California Ballet and Sushi Mura. Cap off your jaunty day with a pint at Stone Brewing and a run for Longboard Chips and New Zealand water at Trader Joe's, and you've got the new normal at Liberty Station. It's like Sarah Jessica Parker took great-grandfather's Naval-issue peacoat and stuck a giant, pink, silk rose on the lapel. The original bones are still there, but now it goes better with a Zara cocktail dress than a mop and bucket, you know, for dancing and swabbing decks whilst belting out Fred Astaire-style nautical chanties with your fellow sailors.
That's a nice story, but what about IDW, Hannah?, the fair reader gently prods. To continue ...
Notable as the fourth-largest comic book publisher in America (Disney Comics, The X-Files, Orphan Black, My Little Pony, etc.) IDW carries comic gold in its inimitable portfolio: twenty-five Eisner and Harvey Awards, more than eighty NYT Best-sellers, hundreds of freelance artists around the globe and, solely in 2014, more than 700 unique, analog and digital, titles. Additionally IDW dabbles in tabletop and hobby games, stickers, posters and other collectible merchandise. With all this street cred, not to mention being Liberty Station's largest tenant, you'd think they must be a bit haughty and unapproachable, like Hillary Clinton or that big German girl who works at Ruby's on the pier. Yet, no.
IDW is about as mellow and laid-back a group of folk you'll meet in publishing. If IDW was a Muppet, it would be Dr. Teeth and the Electric Mayhem. (Sam the Eagle would not approve of hot yoga being taught on-grounds.) If IDW was a time of day, it would be Happy Hour: affable, a good value and always ready to tell a tall tale. Like any good tale, there need to be visual aids; and that's how San Diego Comic Art Gallery (SDCAG) adds to the party.
Installed on the bottom floor of IDW's digs, in Barracks 3, the SDCAG opened to the public June 5th, 2015: "designed to educate and engage the local San Diego community and the region of Southern California with the sequential comic book and graphic arts". Owned-and-operated by IDW, the gallery houses an analog, research library (appt. only), artist-in-residence program (coming soon) and, for you Teenage Mutant Ninja Turtles (TMNT) aficionados, the Eastman Studio: a permanent installment of TMNT co-creator/artist Kevin Eastman's home studio and personal memorabilia collection. Throughout the year, SDCAG will install exhibits featuring a bevy of artists knee-deep in comic lore. The inaugural exhibit? Kevin Eastman and his TMNT.
With San Diego Comic-Con (SDCC) just around the corner, geographically and temporally, (San Diego Convention Center, July 9-12, 2015) IDW/SDCAG have positioned themselves smartly for a pop-culture, coming-out carousal. As the cosplayed hordes descend upon America's Finest City, they shall find that besides The Old Globe, S.D. Air and Space Museum, S.D. Museum of Art, S.D. Natural History Museum and Hooters (For a lot of you mooks it's the closest you're going to get to San Diego boob.), the S.D. Comic Art Gallery will serve many of your artistic, and geeky, needs. To serve those more primal needs in Maslow's Hierarchy, SDCAG is fortuitously located right next door to Stone Brewing World Bistro and Gardens: an 11K+ sq. ft., glass-stone-and-wood re-purpose of what used to be the NTC mess hall. Hello, sailor! Buy a girl a stout and some crispy Brussels sprouts?
On June 4, 2015, the night before their grand opening, IDW/SDCAG held a VIP event, to present the art gallery on a more intimate level to those closest to the effort. That night, along with Ménage à Trois and J. Lohr wines, an oh-so-hoppy IPA flowed generously, provided by Stone. It's just good fence-building, proffering beer to the new guy on the block.
Whether it's an Arrogant Bastard, a Double Bastard, a Crazy Ivan or a Border Psycho, a quaff of Stone is always a great mingling lubricant. So, just in time for San Diego's greatest mingling event, IDW/SDCAG and Stone Brewing Liberty Station are celebrating con-season with Hop-Con, the w00tstout Festival: "Our annual celebration of nth-degree beer geekery".
Launching Wednesday, July 8, 2015 (same night as SDCC Preview Night), if you jelly beans can swing $40-$100/person, you can drink-and-geek with Aisha Tyler, Wil Wheaton, Kevin Eastman and the upper echelon of Stone brewerdom. To boot, you can be of the first to imbibe the "2015 Stone Farking Wheaton w00tstout". Want more special beer? According to an inside source, there might be a Kevin Eastman/Kris Ketcham collaboration beer which might be called "Twisted Turtle w00tstout". (Call 619-269-2100 for more info. on advance tix and event specifics.)
But, Hannah, what about the Library of Congress?, you ask wearily and patiently. Allow me to elucidate ...
In 1800, amidst legislation which would move our new country's capital from the progressively sophisticated Philadelphia to the swampy backwoods of Washington, America's second president John Adams (1797-1801) understood the dire need for a local, congressional reading room, research facilities and library for this new nation. Moving merrily along its way, August 1814 saw Adams' library come to a fiery end as the British set our Capitol aflame. (Good thing we're all friends now.) Upon this news, then-retired, third president Thomas Jefferson (1801-1809), and Adams' BFF, proffered his precious, voluminous, private library at Monticello as a replacement. Jefferson's collection and all that would be added to it over the years would become America's library: the Library of Congress.
Visionary like Jefferson and Adams, IDW/SDCAG understand that, even though the comic arts seem all too present and contemporary, at times even fleeting, wondering when this wild, geek, pop-culture rocket will free-fall back to Earth, history always needs a paper trail, even digital history. When tomorrow arrives, mankind always thanks those whom were ambitious enough to preserve the past. (Plus, if you've been watching Wayward Pines, you'll know that even in the year 4065, First Generation will need something to read. Why not Jem and the Holograms or Mr. Peabody & Sherman? Although, I would suggest against 30 Days of Night and Rot & Ruin. Those might be too realistic in WP.)
Adams, Jefferson, IDW and SDCAG also know America needs just the right word-nerd to curate the past and present, for the future. John James Beckley served as the first Librarian of Congress (1802-1807) under the Jefferson administration. In keeping with a national level of know-how, Harry L. Katz, former Head Curator of Prints and Photographs at the Library of Congress, will serve as the first curator of SDCAG. He now calls San Diego home. (Psst, Harry. The Starbucks at Liberty Station is a beautiful and breezy switch from the one you're probably used to at Seward Square. Still, it's hard to beat the small, window-table facing the streetlight on Penn. Ave., on a snowy D.C. morning. Enjoy our palm trees and ocean air, good sir!) Oh, breweries within walking distance of the LOC? A couple of Gordon Biersch, Capital City Brewing Co. and District Chophouse and Brewery. Yeah, D.C. is a far better walking-town than San Diego.
Kids, here's an insider's tip: San Diego is one hell of a town and you'll never grasp it in one long weekend. You can try though! Start by getting up early; you can sleep when you get home. Then, grab a quad shot over ice at Starbucks or Peet's and hit the terra-cotta tiles heading in any direction! If you're in town for Comic-Con, out for a sunny getaway from Beantown or the Big Apple, or if you're just a local doof like Moi looking for more stimuli than Big Steve's Comic Kitchen can give you, drop by the SDCAG, year-round. When you're done, treat yourself to a tantalizing brew in Stone's sunny, stony, garden bistro. It's your summer, kittens; do something fun with it.
Abyssinia on the Con floor, kittens!
Aside: A v special Thank You! to Denton Tipton and Rosalind Morehead at IDW, and Gary Sassaman at CCI, for a wonderful SDCAG opening event! Cheers to all!
Visit JennyPop every Con season for all of her Official SDCC Souvenir Book articles and full, Con coverage. w her fave, Con-cohort: Twisted Pair Photography shutterbug, Eslilay Evoreday.
Follow @JennyPop: Insta and Twitter for year-round geeky goodness and visit her Amazon Author Page
So Many Monkeys SyFy Original Series Helix
No monkeys here. Too many monkeys here. Is that a monkey? Frozen monkey field. These are not the monkeys you're looking for. Look, we've been at this over an hour and still no monkeys.
Helix, SyFy's newest original series, is an experiment in extremes: viral containment, climate, human isolation and monkeys. Set in a cutting-edge research facility in the Arctic, Helix could easily be a next-generation, X-Files spin-off, picking up after any one of the Black Oil Mythology episodes, or even Scully and Mulder's Alaskan exploits in "Ice" (S1e7).
It is safe to say, should you be an X-Phile, you will once again enjoy the glacial-blue light of Friday night, sci-fi-thriller TV. So, grab some snacks, zip up your Snuggy and leave a hand free; you'll need it for your chocolate-covered frozen bananas and a handily-placed stun baton. It's Helix time.
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Like many a thriller, our secretive, U.S. government provides unwitting and reluctant heroes plucked from deep within federal cubicle farms. This time, it's the CDC and the protags, de rigueur, have a bevy of personal and interpersonal issues compiling their newly assumed duties. All this makes working in a lockdown facility full of sharp, shiny, metal instruments, and possibly run amok with infected monkeys, situated on an merciless, frozen tundra, if one could escape, extra fun.
Shot on-location in Montréal, Québec, including on a sound stage dubbed "The Freezer", Helix effectively presents viable, unsettling, virtual feelings of claustrophobia and agoraphobia. Add what Maeda calls "an invisible villain", and you've got fear and panic factory-sealed in an icy gift box.
"You can't touch it. You can't taste it. But it's there," Maeda added in a SyFy press call with Helix actress Kyra Zagorsky (Smallville, Soldiers of the Apocalypse) who plays the emotionally severe yet painfully professional Dr. Julia Walker.
Zagorsky concurred about the fictional virus:
This virus ... it’s something that they’ve never seen and that, in itself, is quite frightening in a story because this is something that happens all the time, a real life epidemic scare, you know. I mean, I think there was just a couple reported cases this last week in Vancouver of some deaths of people passed away with H1N1. You know, it’s something that’s really out there for people.At the Ilaria Corporation high-tech research facility, Arctic Biosystems, the true menace is neither simian nor even meteorological in form; although the agoraphobic nature of nothing but white death for leagues and leagues does present itself as its own, haranguing character.
Banking on mankind's truest fears, like recurrences of the Black Death, Spanish Flu, Chernobyl and even the still-worrisome Fukushima Daiichi fallout, Helix' writers, and actors, understand they are straddling a very fine line between fiction and reality. Audiences like to be scared by the likes of Paranormal Activity and Fire in the Sky because it feeds some primal need for adrenaline in our luxurious, SUV seat-heater, caramel double-latte, fingerless cashmere iPad-gloves, modern world. Audiences know ghosts and aliens won't actually harm them, mostly. Yet, a mysterious illness, emerging out of nowhere, killing indiscriminately and painfully at a near 100% mortality rate whilst fueling its autonomous need to propagate? That's not just terrifying, it's possible.
Interviewing Helix actors Catherine Lemieux (Blue Violin, White House Down), who plays Dr. Doreen Boyle with a hard realism, and Mark Ghanimé (Soldiers of the Apocalypse, Emily Owens, M.D.), who brings a confident approachability to the role of Major Sergio Balleseros, I was afforded an opportunity to chat with them about the story devices of fear and hope, human nature and dealing with mankind's paramount fear of the unknown.
Catherine Lemieux: Wow. Wow. I think that that's just a reflection of life really like life is a balance of those two things in a sense of fear and hope through that and of conquering the fears that we get. So I think that's kind of like a true reflection, the show kind of reflects the balance of life that we all try to achieve. And we all have fears and we all have to face them in that sense. So it's a very, very human experience in that. It also being a Sci-fi experience and having this disease be completely unknown and completely from out of this world maybe, who knows. Mark Ghanimé: Exactly what Catherine says, and also the fact that if you look at some of the characters as we develop the story in the season some of the infected - the people that get infected in the base there is - there is the fear and the hope that these people from the CDC can help them. And, I mean, that kind of - it's a very important story line on the secondary and the guest star characters in the show. A lot of times you don't see too too much of the fear and the hope on the surface of the hero characters. But, we have that support from the guest stars on our show. You really get to see what the true feelings are of these people in the space. And I think, yeah, it is exactly human nature.Does Helix face a difficulty down the line, putting a fictive slant on such a sobering subject, I wondered?
Mark Ghanimé: We've echoed this a lot on our previous interviews. The fact that what we're doing in this show is not fantastical, is not supernatural, is not beyond the reach of the real world I think that in itself lends a built-in fear in that it can happen. You look outside your door and those things can occur. And I think that itself is enough to put the fear of God into people. Yeah, for lack of a better term.Catherine continued with the idea of character-identification, linking that sympathetic emotion of fear between actor and viewer.
Catherine Lemieux: The possibility, I think, of it - the possibility of any situation that's on television or on film or what have you is definitely the link with the audience in that sense. If an audience member can identify and see themselves in this problem that these characters are having then you really do have a connection."The primary goal," directs the CDC's head of Special Pathogens, Dr. Alan Farragut, played sternly by Billy Campbell (The O.C., The 4400) "identify the pathogen."
Narvik is the mystery pathogen. Narvik is its name, killier black goo is its game. Whether you get strain-A or -B is when the game comes afoot and that is up to fate, and the writers: Cameron Porsandeh (Helix), Misha Green (Heroes, Sons of Anarchy), Keith Huff (House of Cards, Mad Men) and Ronald D. Moore (Caprica, Star Trek: First Contact). To boot, climate conditions at Arctic Biosystems are so heinous they wreak havoc on helicopter mechanisms, making it futile to depend on, or even hope for, outside help, thus adding desperation and panic to fundamental fear and those oh-so-gelled, previous feelings of claustrophobia and agoraphobia everyone is experiencing, including the pathos-brimming rats and monkeys.
Fair warning to the squeamish and the animal-empathetic. Animal lovers might spend a good deal of each show watching through closed hands. Lab rats and monkeys make regular appearances in various stages of distress and infection. SFX, MUA, CGI and robotics they might be; still, the visuals are disturbing and one wonders how much animal suffering some viewers will stomach before switching over to a much-needed dose of happy and silly via Archer or Bob's Burgers on Netflix? Animal testing was funny at Springfield's "Screaming Monkey Medical Research Facility", as seen on The Simpsons episode "HOMR" (S12e9). Alas, it is not on Helix. Still, Catherine Lemieux assuaged the concern about the animals on-set, assuring viewers everyone is well-cared for, without a doubt.
Catherine Lemieux: I just wanted to point out that we also had a vet on set. And she was great. She's somebody that I could use a total resource. Her name was Ev and I don't know her last name. But I considered that such a gift from production to be able to speak to somebody who actually is a veterinarian and who deals with that on a day to day basis. So that was really, really a great help.
At the end of the interview, I asked both Lemieux and Ghanimé about an ad for Ilaria's Infinity contact lenses. How does it link to the untenable situation at Arctic Biosystems. The query was originally posited by, of all people, the Chair of Ophthalmology at U.C. Davis. The good doctor and I wondered if it could have something to do with the inhuman, silver eyes of Dr. Hatake (played astringently by Hiroyuki Sanada). The question was responded to with an immediate aaahhs and hmmms; one could almost hear them shifting in their seats as they pondered my question. All to no effect, though; Ghanimé's answer was curt.
Mark Ghanimé: I have a huge answer. It's a juicy one. Are you ready for this? No comment. We cannot talk about that ... said with all humor of course.
New episodes of Helix air on SyFy, Fridays @10p/9c
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Monster Man, Martinis and Mulder: WonderCon Anaheim 2013 is a Wrap
The Wild West of 1850s southern California never saw WonderCon coming. Originally an agricultural collective of pious, German farmers and vintners, Victorian Anaheim would have plotzed at the site of The Joker, Jawas, Hobbacca and G-stringed Supergirls crossing Katella and Harbor, headed into their Anaheim Convention Center. Although, he might have appreciated some of the more inventive steampunk costuming, 1857 co-founder George Hansen must have just come to grips with Disneyland when WonderCon steamed into town last year. This year, it descended upon the O.C. once again and, if Hansen's ghost gets his wish, it should be headed back up north, to San Francisco's Moscone Center for 2014. If the rest of us get our wish, parent company Comic-Con International will permanently add this southern substitute, WonderCon Anaheim, to its regular menu des plaisirs.