San Diego's annual invasion of dapper Doctor Whos, mysterious Batmen, chubby Lolitas and steampunk Poison Ivys has ceased; the marauders having retreated to their workaday lives and quiet homes, wherever those might be. (In fact, roughly fifty per cent of those homes are right here in San Diego, based on attendee registration info.) No one throws a Con quite like America's Finest City and the financial handshake between Comic-Con International (CCI) and the City of San Diego is hearty, healthy and mutually-beneficial.

So, for those whom did not make it to San Diego Comic-Con this year, or did and unwisely tossed your official Souvenir Guide, my odd wordsmithing made it into the book once again! This year's is a favourite thus far: article and Souvenir Guide in toto.

Sandman, the cover art commemorating twenty-five years of Neil Gaiman's Gothic oeuvre, has hit my radar anew, having not read it since the glorious, gloomy, gringy Nineties. After reading the Sandman articles and delighting in the accompanying gorgeous and ghoulish artwork, The Annotated Sandman has made my very particular birthday and Christmas lists: as there are multiple volumes, it is worthy of both.

For now, enjoy a posting here of Bartbarians at the Gate: 20 Years of Bongo on the Digital Frontier.

Bartbarians at the Gate: 20 Years of Bongo on the Digital Frontier

By Jennifer Susannah Devore

‘Cause he’s an old [comic junkie] and he don’t know what to do.

Should he hang on to the old, should he grab on to the new?

He’s an old [comic junkie], this new life is just a bust.

He ain't trying to change nobody, he's just trying real hard to adjust.

-David Bellamy

November spawned an empire. Like an impatient, petulant newborn, Bongo Entertainment spewed forth, squealing and sliding into our arms like a greased up Spiderpig. Present in the room for the birth were Radioactive Man, Bart Simpson, Itchy & Scratchy and, naturally, The Simpsons. Waiting in the hallway, anxious friends and family would queue up for years to administer the requisite welcome-slap on the bum: Bender, Comic Book Guy, Leela, Professor Frink, Ralph Wiggum, Fry, Li’l Homer, Zoidberg, Maggie, Poochie, Mr. Burns, Akbar & Jeff, all the denizens of Treehouse of Horror and dozens more.

“Welcome to the world of print comics, you magnificent bastard!” the masses cried outside the gates. “It’s about time!”

What you have to understand is that good writing isn't necessarily saleable, and a lot of people get rich writing awful bullshit. -Hunter S. Thompson, Fear and Loathing in America

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(Warning to Savannah of Williamsburg readers, parents, teachers et al: please, note this is NOT a Savannah-title by any means, hence the need for user-registration. No kiddies allowed. Aside from the overall goal of awareness in a world of dwindling standards, it is an endeavour to dip my quill into a new genre. Adults will love it, I promise you ... your children must not. Book IV in the Savannah Series, however, is being written currently and is, as always, completely child-appropriate.)