JennyPop.com - Jennifer Devore
Jennifer Devore

Jennifer Devore

Cheers, JennyPop readers! You know I love my animation and I was thrilled to see nestled snuggly in my Hulu queue The Simpsons 500th episode: At Long Last Leave, (s23e14). Five-hundred episodes, in this flighty and fickle culture? What a feat!

There’s a simple reason The Simpsons has surpassed just about every comedic expectation and mile marker unwittingly set during its twenty-three seasons. To date, it’s a triple threat as the longest-running cartoon, sitcom and scripted prime-time production in American television history. Creator Matt Groening clearly achieved his “vague idea of invading pop culture” when he set about inventing a jaundiced version of his real-life nuclear plant father in the fairy tale burg of Springfield, U.S.A.. Only Groening and the writers know the true secret of the show; but I, purely as a fan, have my own theory. What a shock, Hannah has a theory. Well, here it is, babies … it’s timing!

The animation wunderkind-cum-wunderkonig remains relevant and relative after decades of the pop culture pendulum swinging this way and that, actor/producer negotiations, competing animation and the never ending need for a new couch gag. Still, the show sallies forth gallantly not merely because of an endless string of puns, zingers, quips, gambols, japes and jibes but because of the flawless delivery of said-craft. Comedy isn’t just the writing.

Writing is a talent, performing comedy is a talent: few posses both. True comedy is about relativity and what must appear to be an effortless gift. Woody Allen, Tina Fey, Steve Martin, Conan O’Brien, Ricky Gervais and Jerry Seinfeld can deliver their own jokes, without equal. The delivery has to be lightning-quick like a snap of Indy’s bullwhip: no stutters, no stammers, no pauses and no hesitation.

Check comedy through the ages. I’m sure there was a dingy Neanderthal, or an Australopithecus who knew naturally what to do with the termite stick to bring the rest of the clan to a howling good time. To that end, give Will Arnett a termite stick and just wait for the yuks! The Greeks were funny, I’m pretty sure; but, I don’t know about the Egyptians. They seem like a tough crowd, even today.  Shakespeare’s comedic lines were ribald and blue and they were handed over lickety-split to the rowdy audiences without a break or a beat, lest they received a rotten tomato upside the backside of their pumpkin pants. In my day, Vaudeville was king and, similar to an Elizabethan crowd, those rowdies were neither forgiving nor patient. They wanted a hard pratfall, a smart jive or, if the jokes were bad and music off-key, boobies. In the 1920s and ’30s the likes of  Red Skelton, Laurel and Hardy, Joe Marks, The Three Stooges and Groucho Marx delivered it all, minus the boobies, on a silver platter … tripping à la Dick Van Dyke over the ottoman in the process.

Even in the television age, from its dawn to the present, take a gander at your finest examples; the older ones still resonate and the contemporaries have all the hallmarks that will carry them through to comedy eternity: I Love Lucy, M*A*S*H*, All in the Family, Cheers, Seinfeld, Family Guy, American Dad, Frasier, Arrested Development, 30 Rock … all deliver a joke about every ten seconds, all without missing a beat. Quality and successful comedy is not only knowing your audience, but hitting a high note about every other line. Like a game of Whack-a-Mole, just keep up the pace. Nobody cracks a one-liner out of the park like Homer, Lucy, Hawkeye, Archie, Woody, Jerry, Stewie, Roger, Niles, Gob or Liz.

The Simpsons has it all, in spades: preternatural writing, talent and timing. The writers and artists clearly have a comfort level with and amongst each other that has gelled into a sublime and facile pulchritude over the years, like Raquel Welch or the narrative fiction of Steve Martin. The Simpsons‘ writing is pithy, witty, sharp, topical, blessedly geek-oriented and simply superb; but it’s the easy flow that elicits the elusive belly laugh. Whilst flipping through comic book boxes at The Android’s Dungeon or attending one of Professor Frink’s symposia, the jokes bring a time signature of hoots and guffaws in perfect 2/4 tempo and snappy, unrelenting duple quavers of hilarity.

Even in the much-hyped 500th episode, that laugh quotient shines through, although more like beats of intermittent sunlight on an overcast beach day, rather than the blazing summer sun we’d greased ourselves up for so eagerly. Yes, the 500th episode was good if not excellent; and the Julian Assange tease left many wanting, like a busty and bodacious burlesque stripper with her damned, huge, feather fans. To the end, similar to a first car or grade-school puppy love, we shall always feel a warm fondness for Lisa, Homer, Bart, Marge, Maggie, Comic Book Guy and the rest of the Springfield citizenry. They don’t have to be knee-slapping funny every time we meet and we’re okay with that.

Think about the zaniest egg you know. Do they work at it, or do the one-liners just lurch up at regular intervals, like waves on the beach or heart palpitations at a 1912 Coney Island Bathing Beauty Brigade? Do they “tell jokes”, or are their organic responses to the environment of everyday conversation quick and brutal snaps, like a frog on a fly? For my money, it’s that precious timing and the no sweat, at least to us, delivery. Was there a caveman Afarensis named Bill with a termite stick and, if so, was he funny? Probably. There had to be one. Comedy didn’t actually start with The Simpsons … it just feels that way.

Hey! Puns are lazy writing, jerk! -Krusty the Clown

 

Abyssinia @JennyPopCom!

 

Need more Simpsons? Read Bartbarians at the Gate: 20 Years of Bongo on the Digital Frontier, Jenny's article from the official 2013 San Diego Comic-Con Souvenir Book!

Ciao, dolls! Now that the holidays and the New Year hangovers have settled, Dr. Lucy and I have mellowed back into our very fine grooves, haunting our lovely Hotel Del. Although, some of the staff and their common manners are severely lacking as of late, odd for such a hallmark in the world of service: P.R. department in particular. I think we might have some fun with them in these quiet days of January. My pally in the elevator, Edward, may be able to help us offer up a scare or two even. Going down?What fun for winter boredom!

In the meanwhile, babies, I’ve been making keen use of my Christmas Kindle and watching loads of, not just Ghost Hunters, Midsomer Murders and Warehouse 13, but a new fave: American Horror Story. Not since The X-Files or late night shoots with Errol Flynn have I looked more forward to moonlight. Not to mention watching on a night like this: Friday the 13th! Murder! (You don’t suffer from triskaidekaphobia, do you? Silly kittens!) Also, not unlike The X-Files, this horror story simply cannot be thoroughly enjoyed during daylight hours and is best not attempted without a bottle of red or, at the very least, a Washington martini: gin-soaked, filthy and with three fat olives, each one representing the three branches of government. You do know your three branches, don’t you?

Not for the spiritually or visually squeamish, and you cats know I’m neither, AHS is a satisfying, ocular cocktail with equal parts Hitchcock suspense, unsettling 1930s carnival freakshow, vintage L.A. funk and scads of sexual oddities: all with just enough shock-and-awe to coat the glass and remind you it might be television, but it’s definitely cable. Zowie! (Standards and Practices aren’t the wet blankets they were in my day, are they?!)

Naturally, as with too many wicked-smaht series running amuck in TV’s own dead house à la The Others (Arrested Development, for one glaring example), there is a universal fear, as great as that of coming face-to-face with James Carville in an abandoned cabin in the Maine woods -egad!- , that Middle America might not tolerate the Golden Globe-nominated for Best Drama Series for TV American Horror Story with the same religious devotion as some of we Coasters do. Although, Season Two is already in high gear and I await anxiously the return of my fave Haunted Mansion, north of Anaheim at any rate.

Screaming for a swell, club-mix soundtrack infused with Rage Against the Machine, The Smiths, Marilyn Manson and maybe a touch of Beastie Boys for the lighter, bouncier freak fare, AHS punches up more stomach-jarring drops and reality jolts into darkness than a Wright Brothers’ transatlantic Red Eye. With enough characters and flashbacks to rival a time-travel, Celtic fantasy novel, the oft comic-noir (to those of us with a taste for gallows humor), bloody series invites us into a veritable palace of the dead, the 10K sq. ft. 1908 Rosenheim Mansion in L.A.’s posh Hancock Park, and proves that the afterlife, much like alcohol and fame, merely magnifies personality traits, and billable disorders.

Guided by the chilly, blue hands of the curious brains behind the likes of Nip/Tuck, Entourage, The X-Files (natch), Dollhouse, Midnight Cowboy, Glee, Roswell and even true horror entertainment like ABC’s The Bachelor and the Julia Roberts feature Eat, Pray, Love, we are led into a Green Room, hovering type of existence populated with far too much relationship muck and back-stabbing, literally, to even attempt a back story here. Suffice it to say the lead male is a psychologist treating patients, living, undead and otherwise, in his haunted home. Red flag, babies! Not since Alan Thicke’s Dr. Seaver on Growing Pains was there a more obtuse shrink. Dr. Ben Harmon, however, may top the charts. Played beautifully, aesthetically as well as dramatically, by the very fine Dylan McDermott, his man foibles are almost forgivable, almost … until his potently sympathetic family (Boston transplants like me!) comprised of wife Vivien, daughter Violet, and their precious pup Hallie Harmon, plead with you not to be so quick to alleviate his guilt. Not to be bested on any facet, though, is the phenomenal, SAG- and Golden Globe-nominated Jessica Lange.

Part Designing Women‘s Julia Sugarbaker and part 1980′s Nancy Reagan, Jessica Lange’s Constance Langdon is as icily polite and hospitably, politically incorrect as a 1960s Virginia country club conceding to diversity applicants. She’s an utter pleasure on-screen and, with apologies to a very worthy cast, carries the show on her regal shoulders. I shudder to think what might happen were she to bail. With an upper middle-class ’60s sensibility and a coiffure that is almost certainly wrapped and pinned in bathroom tissue each night, she bakes up delightfully toxic pleasantries in an accent far more suited to the drooping humidity of a Richmond summer than to the bright and shiny California climes where she finds herself and her spectral, wastrel wards forever more. So unnerving, arresting and dead-on is her FFV (First Family of Virginia) demeanor, and trust me, I know a few by which to judge, one just might partake in one of her pretty, rat poison cupcakes served up with coffee, lest Constance takes note of one’s lacking, social graces.

Now, my take on the afterlife is that it’s simply divine. Of course, I met my demise in the Hotel del Coronado, so I get to spend eternity with room service, a poolside bar and pricey gift shops galore. The bee’s knees, I tell ya!  I do have the “dresses on a dead girl” issue and the poor etiquette of the hotel’s P.R. people who just blow my wig at every turn, but that’s all manageable, if not terribly easy or amusing. Whatever your take on death is, ashes to ashes and dust to dust, or forever reside where you died, I think we all might agree, dead or alive, on a given opinion.

Like reality TV, take Real Housewives of Beverly Hills for a glittering example, American Horror Story is aces fun to watch; but, my afterlife reality is sheer, smooth bliss. If you find yourself in an AHS afterlife situation, you have to ask yourself, What did I do to get here? and How the Hell do I get out? Until then, get your wine, light your candles and have your priest on speed dial … just in case.

Abyssinia the afterlife, cats!

Love dishing about #AmericanHorrorStory?

 

SAG Awards Update to American Horror Story post: January 29, 2012

Ditto, what I wrote below about the Golden Globes, including the part about Dr. Lucy and me having Kir Royales and watching the 18th Annual SAG Awards in our Hotel Del. Additionally, Miss Jessica Lange just scooped Outstanding Performance By A Female Actor In A Drama Series for her role as Constance Langdon in FX’s American Horror Story. Brava, Ms. Lange!

Golden Globe Update to American Horror Story post: January 15, 2012
Some of you cats may have preconceived notions of us ghosties. Well, listen up, Wheat. As much as it pains me to say, we are not prescient, we do not have extrasensory perception (ESP); we can neither see into nor predict the future. We are just like you, except we can travel with preternatural speed and levity, can pinch wine from the bar and blame it on the night crew, and have remarkably long histories. Just like you, we also watch Hollywood awards shows and have gut-feelings and strong opinions about whom will take home what. (Dr. Lucy and I are enjoying the 69th Annual Golden Globe Awards a ce moment inside my turret room at the Hotel Del. Kir Royales, anyone?) As it behooves the following piece, the legendary Jessica Lange did indeed earn a Golden Globe for Best Supporting Actress/TV for her role as Constance Langdon on FX’s American Horror Story. Jessica Lange praises American Horror Story writers [at the Globes], saying, “More than anything, I want to thank the writers, because I find it more and more rare, or rarer, every year to find a piece of work that is really beautifully written, and gives you something to do.”, according to CNN Showbiz journalist David Daniel @CNNLADavid. Congratulations and well done, Ms. Lange!

An able, disinterested, public-spirited press, with trained intelligence to know the right and courage to do it, can preserve that public virtue without which popular government is a sham and a mockery.

-Joseph Pulitzer

 

 

Whilst May 5th, Freedom of the Press Day, is still a few weeks away, this week in April is notable for a formidable individual whom strove throughout his life to keep that freedom strong, well-trained and powering forward like a Wild West steam engine thrusting across our vast nation.

Publisher Joseph Pulitzer was born April 10, 1847 in Budapest, Hungary. Emigrating to America toward the end of the Civil War, he fought with Union forces for a short period; yet, thankfully for us, battlefield horrors soon took a backseat to what would become a lifetime of inky fingers.

 

 

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FOR IMMEDIATE RELEASE

November 21, 2008

 

Media Contact: Penna Rogers

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WILLIAMSBURG AUTHOR TO SIGN CHILDREN’S BOOKS AT Williamsburg Booksellers THROUGHOUT THANKSGIVING WEEKEND

 

WILLIAMSBURG, Va. – Williamsburg author Jennifer Susannah Devore will sign her latest book, “Savannah of Williamsburg: Ben Franklin, Freedom & Freedom of the Press, Virginia 1735” during the Thanksgiving weekend at Williamsburg Booksellers, 101 Visitor Center Dr. The book signings will be held 10 a.m. to 1 p.m. Friday, Nov. 28, 4 to 7 p.m., Saturday, Nov. 29 and 10 a.m. to 1 p.m. Sunday, Nov. 30.

“Savannah of Williamsburg: Ben Franklin, Freedom & Freedom of the Press, Virginia 1735” is the third book in the “Savannah Squirrel Series of Books.” A series of historical fiction and fantasy, “Savannah of Williamsburg” brings adventure and early American history together as it ties Williamsburg and its influence to all the colonies’ wildest events and people.

Friday, 18 March 2011 21:23

Savannah Squirrel Gets the Centerfold

In a springtime issue of Next Door Neighbors magazine, author Jennifer Susannah Devore was interviewed by Suzi Drake about from whence the idea for the series originated, how the author was enjoying her new life on the East Coast and what was next in the literary hopper.

 

Savannah of Williamsburg: Being the Account of a Young, London Squirrel, Virginia 1705 and Savannah of Williamsburg: The Trials of Blackbeard and His Pirates, Virginia 1718 are discussed in the interview.

Friday, 18 March 2011 18:14

Savannah Book II Popular Pirates

Savannah of Williamsburg: The Trials of Blackbeard and His Pirates, Virginia 1718 made front page news in the Lifestyle section of the Virginia Gazette. One of the oldest newspapers in the country, having first printed its weekly editions in 1736, the Gazette and its founder William Parks are actually the focus of Devore's follow-up title, Savannah of Williamsburg: Ben Franklin, Freedom & Freedom of the Press, Virginia, 1735.

Wednesday, 02 January 2013 20:29

DOC New Year Ad Campaign 2013

Fresh from the art department once again, The Darlings of Orange County 2013 New Year's ads, Part 1: "Downright Filthy" & "Leaking Silicone".

 

 

Friday, 15 June 2012 18:08

Sexy Fun Reading

This easy, breezy, beautiful day along the San Diego coast, I offer a delightful surprise, for me anyway: a humbling and downright awesome follow-up review to my Skype interview about The Darlings of Orange County with Natalie Wright. As I mentioned previously, Natalie calls 'em likes she sees 'em. Lucky pour Moi, she sees 'em a far cry from Fifty Shades of Grey. Phew!

 

Sunday, 27 May 2012 22:08

Black Market Weed and Murder

Solstice or no, summer's here, my pretties and me thinks you folks need a smart, steamy, summer read and I'm just the gal to proffer such wordsmithing.

Voila! The Darlings of Orange County is yours for a mere $2.99 via Amazon's Kindle, for this Memorial Day weekend. Still not sure if you're ready to take on all the Hollywood, Del Mar, Encinitas, Moonlight Beach, south O.C. drugs, murder and salacious, mendacious satire The Darlings has to offer? Wrapped up in a warm sheet of knee-slapping, milk-spitting humour, like a meaty, spicy burrito from a Huntington Beach food truck, The Darlings has just what your core craves. See what these good folks have had to say about it!